Monday, April 24, 2023

Maddie's Music Therapy Senior Reflection: En tout et partout, que la Volonté de Dieu soit accomplie

Maddie DeBaun

The piano has always been a huge part of my life. I began taking lessons at a young age with my sisters, growing to pursue this as a firm extra-curricular activity when my parents realized I had a knack for it. My piano teacher, who I owe almost everything to, placed me in competitions and assessments to improve my theory and aural skills. Every year, I saw physical proof that I was skillful and good at something I loved doing. My father frequently reminded me that I had something special, and that it would be a waste to not pursue piano performance professionally.
Maddie smiling and turned toward camera while seated at grand piano in Church of the Immaculate Conception
Maddie in Church of the Immaculate Conception

I was homeschooled all four years of high school, and this gave me more opportunities to practice. My teacher encouraged me to pursue playing Rachmaninoff’s Prelude in C# Minor. The large chords, rubato, and demanding skill of the performer excited me, and the entire piece became my new project. I worked hours upon hours mastering each measure; however, I began noticing an ache in my wrists. By age eighteen, I was diagnosed with tendonitis in both wrists. Any dreams I had of pursuing a career as a professional performer flew out the window. I didn’t know what to do anymore.

At the same time, I had to begin thinking about colleges I wanted to attend. Growing up in the Terre Haute area, and with my mother being a Woodsie, Saint Mary-of-the-Woods was my top option. During my campus visit, my dad set it up for me to speak with faculty in the music department, and I met with an adjunct who introduced me to music therapy. Up until this moment, I had never heard of it, and did not know it was a career path. I have always known I wanted to help people in any way I could, and the idea of combining this with something I love – music – won me over. I knew that it wouldn’t be demanding on my wrists, and that I would be fulfilled in learning new instruments and challenging myself. Within the next few weeks, I had applied to SMWC, an audition already scheduled on the same day as my SAT exam. I remember vividly spending five hours that morning in an unfamiliar classroom, wracking my brain to remember basic algebra, then running home to change for my audition. SMWC was the only school I applied to, and I had high hopes for myself.

PR picture from SMWC catalogue of Maddie and two friends in a dorm room
College PR picture of Maddie and friends in dorm
Group selfie with Dr. Mac, Lydia, Ethan, Sharon, Tiffany, Maddie, Sophie and Michael pictured
Kahoot Dept Team Fall 2019

Fall 2019, I attended orientation at SMWC as an incoming freshman and met my fellow incoming music and music therapy majors. There was an instant click within our group, and I had a feeling that those people were going to become my close friends quickly. As a part of orientation, we were given the opportunity to have dinner with our professors, which included a game of Kahoot!. I put myself in charge of answering the questions as fast as possible, with Michael Boswell naming the freshmen group ‘SMELT’ with the first initials of all of our names. The Music and Theatre Department landed in second place due to a fatal mis-click on my part. I was told I was never going to hear the end of it and, as a senior, I can confirm this is true.

My freshman year began with a bang, and the fall semester ended in a blink. Spring semester rolled around, then just two months into classes, the whole world shut down. Classes became virtual and I found myself spending every day holed up in my room, grasping for any socialization I could get over Zoom. My voice lessons were done in my dining room, professors did their best to draw on their laptops, and my dog became my only in-person classmate. The months dragged on and I started to wonder if I would ever be able to return to the Conservatory again.

Spring semester of my freshman year, I received an email from Michael Boswell, asking if I would be interested in auditioning for Madrigals. My fellow freshmen and friends, Lydia Huston and Sophie Ricard, were already members, and at this time I viewed myself as having lesser vocal abilities. Prior to joining Chorale, I had little to no experience singing in ensembles, especially one that requires extensive skill. However, being someone that likes a challenge, I told him yes. During the audition, I displayed my sight reading skills and talked to Michael about the training I had prior to college. I walked out not knowing if I had a spot that spring or not, but I received an email from Michael congratulating the newest members – and I was included. 

As a high schooler, I would have never imagined myself loving singing in an ensemble as much as I have. I did not enjoy Chorale until the Homecoming concert Fall 2019, where it struck me how beautiful singing is, and how valuable connection in a musical space is for people. This affected not only my view of music therapy, but also music as a whole. I am endlessly thankful for Michael for reaching out to me as a freshman and encouraging me to step out of my comfort zone, musically and personally.

Sophomore year, we returned to campus with limited access. As a commuter, I was not allowed on the residential floors and classes were hybrid. We got creative in figuring out how to make music while being socially distanced and masked. Being the year that everyone talks about, it was extremely hard staying motivated and to ignore the anxiety in myself questioning if this was the right path for me. Practicum experiences were telehealth and choir concerts were virtual; yet we learned to make the most of it. Junior year was the first “real” school year I had. Many conversations with underclassmen surrounded the topic of “we aren’t sure because we’ve never done that before.” With the freshmen, we were acclimating ourselves to the campus and learning the ins and outs of being a full-time student – completely in-person.

The opportunity to be back on campus truly brought me out of my shell. The first two years of college, I struggled deeply. Balancing up to fourteen classes a semester, being on a collegiate sports team, and staying social pushed me to limits I didn’t even know I had. As a junior, I found myself opening my door to other students for support, homework help, and a shoulder to cry on. I took part in the “Big/Little” tradition and gained two wonderful Littles that stole my heart. And, as a second-semester Junior, I pushed myself to go even further and was voted President of the Music Therapy Student Association (MTSA) for the 2022-2023 school year. And that brings me to our senior year, where we find ourselves now.

Music therapy students standing in a line facing camera to right
Maddie with music therapy friends in Rooney Library
Sharon, Lydia, Maddie, and Michael on Ring Day 2022
Maddie on Ring Day 2022 

As I reflect on the past four years, I find myself ever grateful for everyone that has supported me along this journey. My “Music Therapy Life Partner” (MTLP) Lydia Huston was a solid foundation I have leaned on – and will continue to lean on – as we figured out how to stay successful and committed in the midst of a worldwide pandemic. I have found someone that I can openly talk to about the struggles of being a perfectionist, the idea of leaving a place you call home, and going out into the world as a professional. Through encouragement to find myself, especially by my advisor and supervisor Sharon Boyle, I have gone on a beautiful journey – that still goes on – in accepting my heritage as a Korean American and delving into the pulls I’ve had to this culture. My experience at the Woods has helped me discover myself and be proud of who I am becoming as a future music therapist.

I think about those who have helped me find this identity, and my heart warms at the relationships I have made at SMWC. I owe so much to my incredible professors: Michael Boswell, Ron Maurey, Dr. John McIntyre, Dr. Matthew Balensuela, and Dr. Sharon Boyle. These are just a few names of people who saw something in me that I didn’t see in myself and stood behind me while I stumbled my way through my degree. My wonderful fellow seniors: Lydia Huston and Ethan Stattner. Our trio is unmatched, and I will never understand how three people can make so much noise – and for that, I am grateful. My beautiful Littles, my Music and Theatre Department peers, my coaches and teammates, and everyone else I have had the pleasure of knowing at the Woods, I have made it because of you.

Choir members with Michael Boswell and Ron Maurey Dec 2022
Choir members after Christmas 2022 concert

As a Madrigal, these words by Saint Mother Theodore Guerin in “La Providence’ have stuck out to me: En tout et partout, que la Volonté de Dieu soit accomplie. “All in all, may God’s Will be done.” These past four years have been the hardest four years of my life so far; but I have always been reminded to trust the process and everything will work out. I have placed my trust in those given to me, and He has never failed me yet. Being a Woodsie is a dream come true, and I will never forget the memories I have made here.  

Maddie with Sophie and Lydia fall 2019

Madeline DeBaun, senior music therapy major, finishes coursework this May 2023, plans to head to South Korea for an intensive two-week music therapy experience, and hopes to start a music therapy internship this fall 2023. 

------------------------------------
Compiled by Avery Stein, Music Therapy Student Assistant
Edited by Dr. Sharon R. Boyle, MT-BC, Coordinator of Undergraduate Music Therapy; Dept Chair

Sunday, April 2, 2023

Beauty as an Attribute of God: Sacred Music Festival Series II





 “Now we know that beauty is an attribute of God....Music then is a part of the very beauty of God.”

-Sr. Cecilia Clare Bocard


Picture: Sr Cecilia Clare Bocard, S.P.
Pink marble pillars stood unwavering holding up the lofty ceilings of the Church of the Immaculate Conception.  The Church structure expressed ample beauty and deep-rooted connection to our founding Sisters of Providence.  The SMWC Choirs (Chorale, Madrigals, Woods Vocal Ensemble), directed by Michael Boswell, four choirs from area high schools, Guest Artist Marques Jerrell Ruff, a variety of other guest artists, and the audience added to the beauty of this sacred space and we were able to experience connections between each other, our history, and God.


Marques Jerrell Ruff, Guest Artist (L)
Michael Boswell, Festival Coordinator (R)
Michael Boswell (Associate Professor of Music, SMWC Director of Choirs and Sacred Music Festival Coordinator) wore many hats during the concert with great success.  “It was pretty amazing. I felt like I was ‘in the zone’ for the entire hour and fifteen minutes, and that was especially fulfilling since I constantly changed roles from conductor, singer, reader, etc. It was also wonderful to stand in front of a choir of 150 students from SMWC and local high schools for our final number, to see them span the width of the church!”
SMWC and high school choir members
The music served as a thread connecting the experiences of the choir concert in the “memory quilt” that emerged from the Sacred Music Festival.  Lydia Huston, senior Music Therapy major and Choral Student Assistant, recounted that the connection was something bigger than the music festival itself; it extended to decades before. “As we all sang, I could feel our voices reaching back and connecting with the generation of Madrigals before us and those before them and all the way back to Sister Cecilia [Clare Bocard]. I think that is what it means to be at the Woods-- to have roots with those who began here and then carry their love and passion with us to inspire others.”

The concert began with the audience (Assembly) singing an opening hymn together. The Chorale then performed two pieces from A Cycle of Psalms, 'The Lord is My Shepherd' and 'I Sleep but My Heart Watcheth', by Sr. Cecilia Clare Bocard, S.P. (1899-1994), a prolific composer and educator. The set concluded with Dr. John McIntyre's (b. 1950) piece 'My Heart Watches'. The Woods Vocal Ensemble kicked off the next section with 'Medieval Gloria' by Vijay Singh (b. 1966), joining the Madrigals on 'Be Thou My Vision' by Dr. John McIntyre. The Madrigals then performed another piece from A Cycle of Psalms, 'Cast Thy Care on the Lord' before performing 'La Providence' with Madrigal alumnae who were present.

Lydia Huston remarked that the crowning moment of night two was “singing [La Providence] with the returning and current Madrigal ensemble members.  "This piece is sacred in every sense; it is the quintessential SMWC Madrigals piece. It does not matter who you sing it with or how long you’ve sung it with people, the piece wields instant connection.  I could think of no higher honor than whenever I get the opportunity to sing it.” ['La Providence' was a commissioned work for the SMWC Madrigals, completed in 2012 by composer Sydney Guillaume]

Several local musicians and music educators (Logan Williams, Paul Ellison, Dylan Keller, Patrick Meyer, Andrew Miller, James O'Sullivan, and Chris Williams) from the Terre Haute area joined Marques Jerrell Ruff, Michael Boswell, and Dr. John McIntyre, in performing a beautiful piece by Franz Biebl (1906-2001), 'Ave Maria'. The voices were interwoven throughout the piece and soared throughout the Church. 


Quintet performers (L to R)
To add to this beauty of space and sound, a quintet composed of Marques Jerrell Ruff, Michael Boswell, Mitzi Westra (voice faculty - University of Indianapolis), and two alumni Catherine Larson ('20) and Kristin Foster Dawson ('20), performed a set of pieces related to aspects of light from four different contemporary composers. 

Pianist and SMWC instructor of music Ron Maurey recounted the beauty and divine connections that were made in the Church, and about his experience with making music that was more than supporting the singers.  “I don’t think of it as accompanying... for me it’s more that we made music together…I have been thinking about this very thing for decades, having at one time pursued a path that would have led to ordained ministry in the United Methodist Church, I have thought about this connection between ministry, spiritual life, spiritual direction, [and] music’s role in that.”

Ron Maurey, faculty pianist

Alongside the SMWC Choirs, four high school choirs (Terre Haute North Vigo High School, Terre Haute South Vigo High School, West Vigo High School, and Shakamak High School) joined in closing the concert program by singing with Marques Jerrell Ruff, soloist, on 'City Called Heaven' arr. by Josephine Poelinitz (b. 1944) that filled the Church with immense sound and powerful feeling. 



We are all aware, I am sure, that music, as a fine art, involves the creation of beauty. We know that beauty is an attribute of God. … Music then is a part of the very beauty of God. When we, as musicians, bring this beauty to the world, we are bringing God to the world.

—Sister Cecilia Clare Bocard

Rehearsal of all choirs with Marques Jerrell Ruff

The concert concluded with 'Our Lady of Providence' as the closing hymn sung by the entire Assembly. The piece was co-written by Rose Angela Horan, S.P. (1895-1985) and Sr. Cecilia Clare Bocard, S.P. (1899-1994).

During Michael Boswell's closing remarks, he spoke of the inspiration for the Sacred Music Festival: “Early [one] morning I went to my bookshelf and started reading the journals and letters of our foundress, Saint Mother Theodore Guerin. I found myself reading the story of the arrival of six Sisters from France to this very soil on the original Foundation Day of October 22, 1840. They spoke to no one when they arrived, as they had sworn an oath amongst themselves not to until their hearts could be filled by the Blessed Sacrament. Some of us here may be more familiar with the word ‘Communion.’ And then it hit me… there would have almost certainly been chanting and singing accompanying the blessed sacrament. This is when music OF the Woods was born! And all music OF this place continues to receive this blessing, our divine inheritance.”

Now, 183 years later, we are still part of this legacy by making music of the Woods, at the Woods.  The festival gave the opportunity to non-Woods community members to participate in music of the Woods, and make them “legitimate Woods musicians,” in Boswell’s words. The Choral Concert was the second event of the Sacred Music Festival.  

Author: Avery Stein, sophomore, Music Therapy Student Assistant 


Editor: Sharon R. Boyle, DHSc MT-BC, Associate Professor of Music Therapy and Coordinator of the Undergraduate Music Therapy Program, Chair of the Department of Music & Theatre

Photo Credits: SMWC Marketing and Communications; Sharon R. Boyle, Chair of Department of Music and Theatre
--------------------------------------------------------------------------------

For more information about the SMWC music programs, contact:
Admissions@smwc.edu

Creating Beauty: SMWC Sacred Music Festival Series I


“We are all aware, I am sure, that music, as a fine art, involves the creation of beauty.” 

Sr. Cecilia Clare Bocard

Sr Cecilia Clare Bocard, S.P.
Golden sunlight cascaded into the mosaic-like windows of Memorial United Methodist Church and glimmered onto the Saint Mary-of-the-Woods College Concert Band.  Brass bells gleamed, silver keys shimmered, and Concert Band Director Dr. John McIntyre’s eyes twinkled as the band warmed up for night one of the Sacred Music Festival.

Carmela D'Agostino-Cozza on percussion
Junior Carmela D’Agostino-Cozza spent the evening in a joyous frenzy, dancing among various percussion instruments, describing the evening as “exciting, nerve-wracking, and wild.”  Dr. McIntyre’s passion for the music is what made the evening so special for her. “It was heartwarming to see the look of genuine satisfaction from Dr. Mac after each piece.  It means a great deal to me that we were able to give his pieces justice, since he put such time and effort into them. He has a way of composing that paints the text in such a creative and profound way.”

Band members felt a uniting thread pulling them through the night and beginning to stitch the beautiful memory quilt together that was the Sacred Music Festival.  In Carmela’s words, “This particular concert left not only the members astonished, but audience members as well…[it] was one of those unique instances where everyone partook in the journey through the music.”

SMWC Students attending the concert
The impression of the night being a journey was also experienced by senior Music Therapy major and audience member Maddie DeBaun, who felt as if the concert signified the start of the weekend’s musical journey.  "It was an inspiring first event for the festival.  It helped those of us who were performing the next day feel the presence of God."

Not only did Maddie glean inspiration from the evening, but she experienced emotions for the performers on stage who happen to be significant in her life. "I thought the band concert was one of the best I have ever attended. As an audience member, I felt extremely connected to the band itself and I am very proud of my friends, but especially Dr. Mac."

Dr. McIntyre was the thread that fastened the first section of the theoretical memory quilt together, and he had his work cut out for him for the evening.  Not only did he direct the Concert Band, but he led the band rehearsals, composed or arranged the vast majority of the pieces, and performed as a member of Crossroads Brass who made a guest appearance.  

John McIntyre and Marques Jerrell Ruff
“I am so fortunate to be able to work with great people in this Department. Everyone put a huge amount of work into making this Sacred Music Festival a success. I’m especially grateful to Michael Boswell for having a great idea and following it through! It gave me the opportunity to combine two of my favorite things: sacred music and wind band music. Put that together with our wonderful student musicians and community musicians, and the result was one of the best experiences of my life.”

Guest Artist Marques Jerrell Ruff, bass-baritone, cloaked the band, audience, and emerging ‘memory quilt’ with deep, rich, vocal colors.  Sharon R. Boyle, Chair of the SMWC Music and Theatre Department, stated that “the singing of Marques could be felt in your bones…But I realized today that it was not just Marques’ glorious voice and presence, it was how he brought each of us into the experience with him.”

Mr. Ruff had his own thoughts about the experience. “People came into the sacred space with an open heart and a willingness to let music, and love, fill that space. It is an experience I won’t soon forget.”

Students, community members, and professors will remember the magic and beauty that was brought into the Terre Haute community at Memorial United Methodist Church on March 2, 2023.  The Concert Band concert was only the first event of the Sacred Music Festival. 

Author: Avery Stein, sophomore, Music Therapy Student Assistant 


Editor: Sharon R. Boyle, DHSc MT-BC, Associate Professor of Music Therapy and Coordinator of the Undergraduate Music Therapy Program, Chair of the Department of Music & Theatre

Photo Credits: SMWC Marketing and Communications; Sharon R. Boyle, Chair of Department of Music and Theatre
--------------------------------------------------------------------------------

For more information about the SMWC music programs, contact:
Admissions@smwc.edu